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Previously on The Vampire DiariesEdit

VIRGINIA: [to Enzo] Whatever's inside that vault? Promise me you won't set free.
ENZO: [to Virginia] We need to know exactly what we're dealing with so we can fight it.
VIRGINIA: [to Enzo] You can't fight it.
DAMON: [to Enzo] Do I even want to know?
ENZO: [to Damon] Will it deter you from going in?
DAMON: [to Enzo] Nope.
ENZO: [to Damon] Then, no, you don't.
STEFAN: [to Damon] I can help you.
DAMON: [to Stefan] I need you to let me go.
CAROLINE: [in voiceover, writing in her diary] Dear Elena, we were so close. Stefan and I had finally worked through our problems. Bonnie and Enzo were on the verge of being happy. And then it all changed.
ELENA: [in voiceover] Damon...
DAMON: Elena? Where are you?
ELENA: Right here.
DAMON: [to Enzo] It only hurts at first. Then after that, it's kind of fun.
CAROLINE: [in voiceover, writing in her diary] I'm worried about Bonnie...
CAROLINE: [in voiceover, writing in her diary] She lost the two people closest to her. And she can't even do a locator spell to find them. Her magic never came back.
STEFAN: [in voiceover, writing in his diary] It was three months before we heard the first rumor. A string of missing persons on the West Coast. But then the numbers kept growing. It's them. I know it.
ENZO: [to Damon] Never gets old, does it?
DAMON: [to Enzo] Well, it sure as hell hasn't yet.

Darkened Road (Buck's Car)Edit

[Loud rock music plays on the radio as a woman, Cindy, and her boyfriend, Buck, drive down one of the back roads in Virginia and argue playfully]

CINDY: Why do you drag me to these dumb superhero movies? There's too many, I can't keep track of who's who-- their names, and their outfits, and who flies, and who turns to ice, who poops fire... it's too much.
BUCK: [chuckles] Well, that's why you have me.

[The two are so engrossed in their conversation that they don't immediately notice the extremely thick patch of fog through which they are now driving]

CINDY: Okay, well, now we're on overload. I'm done.
BUCK: [snarkily] Then I'm done with your dystopian teen crap movies. We don't need them, either.

[Cindy gives Buck a look before grinning at him]

CINDY: Okay, fine. Maybe I'll do one more superhero.
BUCK: You know, to be honest, I'm just glad the whole vampire craze is over.

[Before Cindy can react further, she sees a dark figure (Damon) standing in the middle of the road and screeches loudly at Buck]

CINDY: Ugh, watch out!

[Buck is so startled he instinctively swerves out of the way, managing to get around Damon without hitting him with his car. He sighs in relief, though he's still pretty tense from the scare]

BUCK: What the hell? I almost hit that guy! What's he doing in the middle of the road?

[Just then, they look back at the road and are once again alarmed by the sight of another dark figure (Enzo) standing in the middle of the road. Cindy gasps in shock]

CINDY: Look out!

[This time, Buck is unable to avoid hitting the man in the road, and Enzo is hit full-force by the bumper and rolls over the roof of the car before landing hard on the pavement behind them. Buck wastes no time stopping the car and putting it in park before he and Cindy rush out to get a closer look. When she sees the motionless Enzo laying motionless on the ground, she gasps again and covers her mouth with her hand]

CINDY: He's dead.

[Buck looks devastated by this news and begins to panic as he paces back and forth]

BUCK: No... no.

[Suddenly, Damon appears behind them and starts to speak, which startles them and causes them to turn around to see who has approached them]

DAMON: First of all, let me applaud you on your quick reflexes! The way you just whipped by me... it was impressive.

[Just then, Enzo sits up on the ground where he fell and begins snapping his broken bones into place, causing Buck and Cindy to become even more confused and frightened]

BUCK: What is this?
DAMON: This is what is known as a slow night. I mean, I thought we'd go with the "old guy in the road" standby, and you almost got by us.

[Damon looks over at Enzo, who snaps one of his cervical vertebrae into place and rolls his shoulders]

ENZO: Yeah, maybe it's time we, uh, let this one go. It hurts.

[Enzo stands to his feet and looks at them with a grave, unamused expression, which only makes their human victims more anxious]

BUCK: What do you want?
ENZO: We could use a ride. It's the least you could do.

[Buck and Cindy are becoming more uneasy by the second, especially when Damon flashes a creepy smile]

DAMON: Come on. I'll drive.

Abandoned SlaughterhouseEdit

[The scene cuts to the abandoned slaughterhouse where Damon and Enzo have been bringing their victims so that the Armory Monster can feed on them. Cindy and Buck look terrified as Damon and Enzo lead them into the main room and explain their current predicament]

DAMON: Okay, a little backstory, because it's only fair... My friend here, Enzo, and I are the unwilling employees...
ENZO: [interrupts] Not really "employees..."
DAMON: [nods] Yeah, more like slaves. Serfs. Lackeys.
ENZO: Renfields!
DAMON: [rolls his eyes] I hate that reference.
ENZO: We'll just call it "mind control."

[This conversation does little to reassure Buck and Cindy, who are staring at them in wide-eyed fear]

DAMON: Our job is to bring the worst of humanity, the dregs of life, and bring them here. So, between the two of you, who's worse?

[Buck and Cindy say nothing and simply share terrified looks with each other until Enzo pipes up]

ENZO: Come on, winner gets a prize!

[Damon walks closer to Cindy and gives her an amused look]

DAMON: What's the worst thing you've ever done in your life?
CINDY: I stole makeup from a drugstore once... Some blush and lipstick.

[Damon, losing his patience, stares Cindy in the eyes and uses compulsion on her]

DAMON: Try harder. What's the worst thing you've ever done in your life?

[Cindy's eyes droop slightly as the compulsion takes hold and she answers in a monotone voice]

CINDY: I slept with my best friend's boyfriend.
ENZO: [shrugs] That's a little better.
CINDY: Eight times.

[Enzo chuckles before he turns to face Buck]

ENZO: You're doing something wrong, pal.

[Enzo stares Buck in the eyes to compel him as well]

ENZO: So, what's the worst thing you've ever done?

[Buck's expression softens into a blank stare as he's forced to answer the question]

BUCK: One time, I stole all my Nana's pain pills and sold them for fifty bucks a pop... While she was dying of cancer.
DAMON: [smiles] I think we have a winner.

[Buck once again begins to look nervous and scared]

BUCK: What do I win?
DAMON: [smirks] You get to die the most painful, excruciating death imaginable.
CINDY: And me?
ENZO: [smiles] We grant you mercy, you'll die quick. It'll be over before you...

[Before he finishes his sentence, Enzo lunges toward Cindy and bites into her neck, feeding on her until she dies, much to Buck's horror. Once he's finished, he picks her up in a fireman's carry before turning to face Damon and Buck]

ENZO: I'll deal with this one. You do the honors?
DAMON: Of course.

[Damon turns to lead Buck toward the Armory Monster's "tank," much to Buck's horror]

DAMON: This way, come on.

[Buck struggles weakly against Damon's grip, but is too scared to try any harder]

BUCK: No, no, no...
DAMON: Easy, my friend.
BUCK: : Oh, God, no...

[Damon stops just long enough to face Buck and stare him in the eyes to compel him]

DAMON: Hey, stay calm, shh. No use in making a scene in your final moments.

[Damon and Buck start walking toward the tank again, and though Buck is calmer, he's still terrified]

BUCK: I don't want to die.
DAMON: Yeah, I know. And I don't particularly want to kill you, but sometimes we have to do things we don't like.

[They finally make it to the metal grate platform, where the Armory Monster is underwater in the tank below. Damon grabs the remote and hits the button to pull down a hook while Buck watches him with equal parts terror, curiosity, and revulsion]

BUCK: What's down there?
DAMON: Don't really know.

[Buck, now becoming desperate, tries to plead for his life]

BUCK: You don't have to do this. Please.
DAMON: That's where you're wrong... I don't have a choice.

[Damon grabs the newly-dropped hook and uses his vampire strength to stab the sharp end of the hook into Buck's back, right between his shoulder blades. Buck cries out in pain as Damon prepares to feed him to the Armory Monster]


[Damon grabs the remote again and uses it to pull the still-struggling Buck into the air by the hook as he groans in agony. Damon then walks over to a lever and pulls it to open the door, revealing a single metal ladder ascending from the large tank of bloody water. Finally, Damon pushes the button to drop Buck into the water, and after a few moments, Buck resurfaces and splashes around as he pleads for help. Enzo, who has just disposed of Cindy's body, walks over to stand next to Damon as they both watch Buck's last moments of life; Buck's skin and hair are gray, as though all color has been leeched out of them, and both Enzo and Damon stand emotionlessly as they watch the scene before them]

BUCK: Help, help me!

[Suddenly, Buck is yanked under the water once again, and bone crunching and gurgling noises can be heard from below the surface-- Enzo flinches and turns away, but Damon seems unperturbed by the man's death. Enzo looks at Damon as he pushes the button to pull up the hook again, which only has a small chunk of flesh attached to it, indicating that the Armory Monster ate the rest of Buck's body]

ENZO: Want to watch some TV?
DAMON: Nah, I was just gonna read for a little while.
ENZO: All right. Night, then.

[Enzo turns to walk away, presumably to wherever his living quarters are, and Damon smiles politely at him before staring back at the bloodstained water in front of him]

DAMON: Night.

[Once Enzo is gone, Damon's smile vanishes]


Salvatore Boarding House / Bonnie's Safe House Edit

[At the SALVATORE BOARDING HOUSE, Caroline and Stefan are in Stefan's bed, where they are passionately having sex]

[At BONNIE'S SAFE HOUSE, Bonnie is narrating her diary entry for Elena in voiceover while she plays Enzo's guitar on the couch]

BONNIE: [in voiceover] Dear Elena... For the next week, you'll be reading updates from me. Caroline, Stefan and I decided that only one person should write about our epic failure at the time. Believe me, you won't wanna read three versions of the same sad story when you wake up. The search for Damon and Enzo goes on and on we're no closer to knowing where they are, or who, or what took them.

[Bonnie strums her guitar a little too hard and breaks her low E string. She pulls up the broken end with her hand and looks at it glumly before scrunching up her face in an effort not to cry]

BONNIE: [in voiceover] We promised each other we'll find a way to steal small moments of normal every day. It's how we all stay sane.

[After a moment, Bonnie shoves the guitar away from her and buries her face in her hands]

[The scene cut back to the SALVATORE BOARDING HOUSE, where Stefan and Caroline are engaging in post-coital cuddling. Caroline seems to be asleep as Stefan gently rubs her arm]

BONNIE: [in voiceover] But it's just you and me talking right now and I need to tell you, it's hard. It's the hardest thing I've had to do in my whole life.

[Back at BONNIE'S SAFE HOUSE, Bonnie continues to struggle to hold back tears as she's transported to a FLASHBACK of her and Enzo at some point during Bonnie's time living in the safe house with him. Enzo is at the island, where he is preparing a meal, while Bonnie attempts to play the guitar on the couch]

ENZO: Darling, your guitar playing would send Odysseus sailing in the other direction.
BONNIE: [playfully] No idea what that means, but screw you.

[Bonnie, still learning how to play the guitar, hits the strings and causes them to squeak and screech until the low E string breaks, just like in the present. After a moment, Enzo laughs aloud and rushes over to where she is sitting]

ENZO: Right, let me save you from yourself.

[Bonnie makes a faux-pouty face as she hands him the guitar with a chuckle]

BONNIE: I broke it.

[Enzo gives her an affectionate look as he grabs his tools to fix the broken strings]

ENZO: Have you really never read The Odyssey?
BONNIE: [smirks] Is that the one with Helen of Troy?
ENZO: [amused] Not quite.

[Enzo, who has restrung the guitar, hands it back to Bonnie with a smile, and she smiles back at him with affection as she takes the guitar and prepares to resume her practice]

BONNIE: Thank you.

[The scene briefly cuts back to the PRESENT DAY, where Bonnie continues to reminisce with a tear-streaked face. The scene then cuts back to the FLASHBACK, where Bonnie is kneeling on the couch and hanging over the back to prop her elbows on the table where Enzo continues to prepare their meal]

BONNIE: [flirtatiously] How can you love such a terrible guitar player?
ENZO: Because one day you'll play like a Siren, and on that day, I know you'll love me forever.
BONNIE: [curiously] Why's that?
ENZO: Only true love can make you conquer your absolute lack of skill.

[Bonnie makes a face and shoves him playfully as Enzo grabs her by the back of the head to pull her closer]

ENZO: Come here.

[Enzo and Bonnie begin to passionately make out]

[In the PRESENT DAY, Bonnie stares blankly into space with tears continuing to fall down her cheeks]

Salvatore Boarding House Edit

[Stefan has just changed into a tank top and his jeans and is laying on the bed while Caroline flits around the bedroom, talking animatedly about Seline, her and Alaric's new nanny while she continues to get dressed]

CAROLINE: And then she cut their sandwiches into the shapes of little hearts and stars, with no crust!
STEFAN: That's cute.

[Caroline makes a face at him, and Stefan starts to reconsider his comments]

STEFAN: ...Isn't it?
CAROLINE: I'm just saying, if Ric had hired the old lady nanny, then my kids wouldn't be wasting perfectly good parts of the sandwich. Millions of people in this world go hungry every single day while our hot nanny is getting all sparkly with their food.

[Stefan gives Caroline a knowing look]

STEFAN: Sounds like you're worried she's getting "sparkly" with Ric.
CAROLINE: [scoffs] Well, yeah! He's running the Armory every minute he's away from Lizzie and Josie, sleeping on a futon and probably not eating full square meals.

[Stefan smirks sarcastically]

STEFAN: Ooh, maybe... he's eating the sandwich crusts.
CAROLINE: What I mean is, he's susceptible to hot nanny charms! We need to look out for him, you know? He's in a delicate place.

[Caroline finishes getting dressed and walks over to Stefan, who has stood to his feet and walked toward her as well]

CAROLINE: What's on deck for today?

[Stefan's expression is glum as he and Caroline stand face to face]

STEFAN: Well, I'm going back over all the Central State Missing Person Reports for the last four weeks to see if I missed a pattern.
CAROLINE: Great, I will follow up with the local affiliates. Maybe today will be better.

[Stefan doesn't seem very optimistic, but he also doesn't seem to want to tell Caroline this, so he simply smiles weakly]


[The two kiss for a long moment before they pull away]


[Caroline is about to leave as she pulls out her phone, but when she see something on the screen, she immediately stops in her tracks and spins around to face Stefan again]

CAROLINE: Stefan, they found a body!

[Caroline rushes toward Stefan to show him the news alert]

CAROLINE: All those people that we've been tracking, and now there's a body. That's good, right?

[Stefan finally allows himself to feel a tiny bit hopeful about this lead]

STEFAN: It's better than yesterday.

Forbes House / The ArmoryEdit

[Seline, Caroline and Alaric's new nanny, is speaking to Alaric (who is walking down the halls of the Armory) on speaker phone while Josie and Lizzie, who are on the couch watching television, joins in the conversation]

JOSIE: Daddy, when can we come to work and see your toys?
ALARIC: You can come see the toys when you turn eighteen. Will you put Seline on, please?
SELINE: Okay, you two, go get your swimsuits. I blew through Caroline's Monday to-do list. Anything else you need?
ALARIC: Uh, just one more of you, any chance you're a doppelgänger?
SELINE: Should I know what that is?
ALARIC: Not even remotely. Hey, one of my interns is summoning me, I have to go, make sure no one drowns.
SELINE: Got it.
ALARIC: You got something?
DORIAN: We got something. Come on. Georgie and I have been playing around in the vault for a couple weeks now, trying to figure out how someone could get out of it

without anyone seeing. Now, she told me I shouldn't show you what we found until you tell us what supernatural thing escaped from it.

ALARIC: I told you. It's just a theoretical exercise,  I've been running this place for only a couple months now, and I just want to know all about its nooks

and crannies.

DORIAN: Yeah, right.

The Amory's VaultEdit

GEORGIE: Mother of... Dorian, uh... We need to find a better signal.
DORIAN: Or you need to be less jumpy.
GEORGIE: So? Did you spill any secrets?
ALARIC: There are no secrets to spill, I told you, this is just a...
GEORGIE: Theoretical exercise. Yeah, got it, so, are you ready for us to theoretically blow your mind?
ALARIC: I think so.
DORIAN: All right, so check it, every little crevice in here leads nowhere, right? Just walls, dirt and dead-ends. No one's getting out without a spoon and a hundred

years of digging.

GEORGIE: May I? So, my cousin had this thing where she lost her hearing and eyesight real young, but she became brilliant at finding her way around, because all her other senses were so heightened. Which got me thinking, come this way. There we


DORIAN: All right, now you're gonna let your fingers do the walking.
GEORGIE: Go ahead. Find your way out.
ALARIC: What is this?
DORIAN: He's got it.

Abandoned SlaughterhouseEdit

ENZO: Dumped the girl.
DAMON: Why? She could have been dessert.
ENZO: You know the rules, last night was pushing it. It wants real evil, not these lightweight losers we've been feeding it.
DAMON: Yeah, you should get on that.
ENZO: I'm trying, which is more than you're doing.
DAMON: Hey, this is a really good book.
ENZO: How long is this bad-guy slaughter going to last? How many more bodies will it take before this is over?
DAMON: It can hear you.
ENZO: It can get into our minds. It knows how I feel.
DAMON: Well, there's no reason to go out of your way to aggravate it.
ENZO: Do you have any control left? Me, I'm down to about... I don't know, two percent.
DAMON: No free will needed. I have flipped my switch, humanity off. I'm on full cruise control. I recommend it.
ENZO: Oh, so you really have nothing left inside?
DAMON: Just my winning sense of humor and a renewed appreciation for chick-lit.
ENZO: I'm sorry, did we wake you? When does this end?! How many more bodies till you're full?
DAMON: Yelling never gets you anything, try asking nicely. Get it into?

Wooded TrailEdit

STEFAN: Look, I know it's not much, but it's a lead, I mean, all those missing people along the trail we've been following, and this is the first time a body has


BONNIE: Probably because it has nothing to do with what we're looking for.
STEFAN: Yeah, well, I can't let myself think like that, I have to treat every single clue like it's the one that's gonna lead us to them.
BONNIE: Stefan... every time we do this, I let myself hope a little., and when we end up back at zero, my heart crushes in on itself a little bit more. I don't know

how much my heart has left, you know?

STEFAN: Bonnie, no one... Not Caroline, not Elena, no one knows how to fight longer or harder or better than you. If you give up, I won't have anything left to hold

on to. Please don't give up.

BONNIE: Of course, but... don't ask me to have hope. Hope hurts, and I don't want to hurt anymore.

Secret Vault PassageEdit

ALARIC: I can't believe you guys found this.
DORIAN: It's an optical illusion, you can't see or hear your way out.
GEORGIE: Your sense of touch has to be completely isolated. Bananas, right?
ALARIC: So where's the tunnel go?
DORIAN: We don't know yet. That's why you're here.
GEORGIE: Unless you're, like... claustrophobic or something.
ALARIC: No, no. Let's just start walking.

New StationEdit

CAROLINE: Hey. Hi. Hi, girls.
SELINE: Sorry we're early.
CAROLINE: Oh, it's okay.
SELINE: Oh, some guy named Pete from sound dropped this off for you a few minutes ago.
CAROLINE: Thank you.
SELINE: No problem. You guys all good while I go grab a salad?
CAROLINE: Yep. Enjoy your salad. Bye. She probably likes kale, too.
LIZZIE: What's kale?
CAROLINE: You don't want to know.
JOSIE: What movie is that, Mommy?
CAROLINE: This is a work movie that Mommy's been waiting for. The sound was broken, so Pete had to fix it. All right, that is Aunt Bonnie's friend Enzo, this is a movie about him trying to learn about... a magical creature. And that is Princess Virginia St. John, who used to be locked in a tower, and she's the

only one in the whole kingdom who knows the secrets of the creature we're looking for. But the princess escaped, and now no one can find her.

ENZO: Now, tell me what it is.
LIZZIE: Too loud.
CAROLINE: Oh, yeah, sorry.
JOSIE: The movie's boring, Mommy.
CAROLINE: Well, it's not boring. It's just... broken.

Secret Vault PassageEdit

GEORGIE: What was that back there? I've never seen an archaeologist afraid to explore a tunnel.
ALARIC: I am not an archaeologist.
GEORGIE: Come on, you're practically Indiana Jones.
ALARIC: Yeah, that's the former me. Before I had two daughters who expect me to come home in one piece, ah, the new me is an academic geek only. Dad me, now I like to avoid dangerous situations. Plus, you know, if you've been doing this as long as I have, you learn that rarely is a secret tunnel just a tunnel. Okay, watch your step. Case in point.
DORIAN: What is this?
ALARIC: Looks like a geek gold mine.

Crime SceneEdit

STEFAN: Excuse me.
INVESTIGATOR: Oh, come on, it took me four hours to get control of the scene from the local idiots, now they're letting press past the tape?
STEFAN: We're not press. We're not anyone, but tell us what you know.
INVESTIGATOR: Female victim, strangled, then exsanguinated, or maybe vice versa. Now brace yourselves, it ain't pretty. We found blood on the grille, not matching her type, blood in the road over there, also not her type. Her car is dented, like she hit a deer, maybe a mountain lion.
STEFAN: Or a person.
INVESTIGATOR: Teeth marks above the collarbone, ligatures on her neck from the wire.
BONNIE: That's not wire. It's guitar string.

Caroline's Home & the News StationEdit

CAROLINE: It's just a lot of empty land. Farms.
STEFAN: (still at the crime scene) The gas odometer only had three miles on it. That's strange. Maybe that means something?
CAROLINE: There was a news story about this area a couple months ago. Some locals cried miracle when a nearby creek ran red with blood. Turns out there's a slaughterhouse with a drainage issue nearby. They closed it down.
STEFAN: How far from the crime scene?
CAROLINE: Exactly three miles.
STEFAN: I'll go check it out. I'll call you back.

(Caroline is watching the video footage from the psychiatric hospital between Enzo and Virginia)

ENZO: Tell me what it is. (feedback screeches)
CAROLINE: Ugh, God. (phone ringing) Hey, I'm walking out the door right now.
SELINE: Oh, no, no rush. You're not late yet. But have you heard from Alaric? His phone's been going straight to voice mail all afternoon.
CAROLINE: I haven't, but I can try his office. Hold on. Is everything okay?
SELINE: Oh, yeah, fine. The girls are playing hide and seek, only where they both hide and no one seeks.
CAROLINE: Yeah, check their closet. It's their go-to.
BRODY: It's Brody.
CAROLINE: Hey, Brody, it's Caroline. I'm looking for Ric, is he around?

(The front door opens)

SELINE: Oh, wait. Here he is.
CAROLINE: Okay, thanks, just... Can you have him call me when he gets out?
BRODY: Okay, I will.
CAROLINE: Okay, bye. Yeah, Seline, he's okay. He's just geeking out on the job.
SELINE: That's weird. You don't think the girls would leave the house, do you?
CAROLINE: Why? What's wrong?
SELINE: The front door just blew open. I thought it was Ric, but... Caroline... someone's in the house.
LIZZIE: Hi, Mommy.
CAROLINE: Hi, babies. Don't move, okay? Stay here.
CAROLINE: Come on. Come on! Good.

The Amory's VaultEdit

GEORGIE: Dorian's bringing more work lights.
ALARIC: This room is wild. I mean, anything subterranean should have evidence of erosion. The moisture from the earth alone should have eaten through most of these artifacts, but everything is perfectly preserved.
GEORGIE: Yeah. Just like in the pyramids. Oh, boy. Except for that guy. Whoever he was.
ALARIC: I wouldn't touch that. Let's just leave everything alone. I mean, if everything has been undisturbed for as long as I think it has, I'd hate to expose these artifacts until we seal the space.
GEORGIE: Your geek brain makes you super hot. You know that?
ALARIC: Uh, Georgie... don't think that I don't appreciate it, but I'm pretty much closed for business. You know, it's just me and my kids and no distractions.
GEORGIE: Dad you.
ALARIC: Yeah, yeah. Exactly.
GEORGIE: Well, that's a shame. I had to try. Sexy dark tunnel, magical room, et cetera.
DORIAN: Professor S, Caroline's been calling. Says it's an emergency.

Abandoned slaughterhouse & Crime SceneEdit

STEFAN: I just walked in.
BONNIE: They're still processing the scene. It shouldn't be much longer. What is that?
INVESTIGATOR: Looks like candle wax.
STEFAN: Everything okay?
BONNIE: (At the crime scene) I'm on my way.
STEFAN: Damon?
DAMON: Stefan. Hello, brother.
STEFAN: What is all this? What are you doing?
DAMON: Daily chores.
STEFAN: What was in that vault, Damon? What has a hold of you?
DAMON: Eh, it doesn't matter what has me. Only that I've been had. You should be proud of me. Killing bad people.
STEFAN: Where's Enzo?
DAMON: Go home, Stefan. We're all good here.
STEFAN: In a slaughterhouse?
DAMON: Surrounded by death. It's who we are, brother. It's who we've been for 160-some years. I know you think it's still worth the fight to live the illusion of your heroic life, but I'm officially done.
STEFAN: You flipped your switch, didn't you?
DAMON: Always the quick one.
STEFAN: I can help you get your humanity back.
DAMON: I know you can, and I don't want it. I've seen how this ends, and believe me, humanity can't save me from it.
STEFAN: What are you talking about?
DAMON: I'm talking about hell, brother. Not the kind of hell that traps you in a stone. Fire and brimstone hell. I've seen it. I met it up close. Tasted it, touched it. It's beyond its reputation.
STEFAN: You're not making any sense.
DAMON: Okay. You need to go, it doesn't want you yet. Walk out of here with your hero hair intact, and never come back.
STEFAN: Not without you.

Caroline's HomeEdit

CAROLINE: Okay, so obviously this is a little bit awkward, but after a good night's sleep, you should wake up none the wiser. The girls are in the car. After dinner, take them for ice cream. Be gone at least two hours. Got it?
SELINE: We'll get some hot fudge sundaes.
CAROLINE: Yeah. Okay. Wake up! I said wake up. You have 30 seconds to explain why you came after my kids. And then 30 more seconds to answer a few questions about that stupid vault. Go.
VIRGINIA: You let them open the vault. I told you not to open it.
CAROLINE: Yeah, well, joke's on us, 15 seconds.
VIRGINIA: It has come for them. (gasps sharply)
CAROLINE: No, no, we are not playing this game. What is it?! What does it want with my children?! What? (retches) Oh, my God. That's your tongue.

Abandoned SlaughterhouseEdit

STEFAN: Don't do anything you might regret.Think about Elena.
DAMON: I'm trying to explain to you, Stefan, Elena doesn't matter to me anymore.
STEFAN: Why? Because you flipped your switch?
DAMON: I ripped the switch off the wall. There is no switch, Stefan, because there is no hope. Every drop of blood I ever spilled, every body I've ever drained, every bad decision I've ever made sealed my fate. My path and Elena's path, they're not the same. Her great beyond is a decidedly happier one than mine. Now for the last time, go.
STEFAN: I said no.
BONNIE: Get him in the car while I find Enzo.
STEFAN: We have to leave. It's not safe.
BONNIE: We're not leaving without Enzo.
ENZO: You need to leave now, Stefan, before Damon is forced to do something no one is going to like.
BONNIE: Let me go, Damon!
ENZO (softly): Go.
STEFAN: Fine. Let her go, and we'll be on our way.
DAMON: Till we meet again, Bon.
DAMON: Don't you two get it? You think you can win against this thing? You can't. My life is over. My life has been over for a century and a half, Stefan. Since you took it from me.
STEFAN: Let's get out of here.

Caroline's HomeEdit

CAROLINE: I tried to heal her, but she just kept bleeding out until she was dead. I couldn't even get any information out of her.
ALARIC: One tunnel. I decide to go down one simple tunnel, and instead of being available for my kids who are under attack, I'm out of range. I mean, are we doing this all wrong? Should we just never leave their sides for the rest of their lives?
CAROLINE: (chuckles) I don't know. We don't know how to do it right, clearly, or someone wouldn't have tried to assassinate our nanny tonight.
ALARIC: It's because we're divided. I live 30 minutes away in a crappy apartment. We share custody. I'm just too far away to help you out.
CAROLINE: You want to move back into town?
ALARIC: No, I want to move in here.
CAROLINE: Ric... I want us to be a family and a team, yes, but, we can't live together.
ALARIC: Okay, I didn't say I thought you should stay.
CAROLINE: That's crazy. (chuckles) This is my childhood home! Where am I supposed to go?
ALARIC: You know exactly where you should go. And you've wanted to be there for months now, but out of respect for my feelings, you haven't done it yet.
ALARIC: Caroline, I want you to be happy. Okay, I want our girls to be happy. And one of these days, I plan on being happy, too. Look... we can't escape this life, Care. So shouldn't we make sure we're at least living it right?

Bonnie's Safe HouseEdit

BONNIE: You haven't said a word. I know that was hard. But that wasn't Enzo. That wasn't Damon, They're not in control. But all those clues... The guitar string and the odometer... ...Enzo left them for me, I know it. He wanted us to find them. Next time, we'll get them back from whatever it is that has a hold of them. Not 12 hours ago, you were telling me, have hope. You were right.
STEFAN: He said it was my fault. He's said it before, so I don't know why it hurt so much. This time, it feels like... He may never forgive me. Maybe you were right, this morning.
BONNIE: No. No, you were right. You told me there was hope. Now, just take a minute, pull yourself together and go find yours.

Bonnie's Safe House (Present and Flashback)Edit


ENZO: You really never read The Odyssey?
BONNIE: Is that the one with Helen of Troy?
ENZO: "In the meantime, our good ship, with that friendly breeze to drive her, fast approached the Sirens' isle."
BONNIE: Oh. I think I remember this. The Sirens lured the sailors into shore with their song before they ate them.
ENZO: More importantly, this book is one of the greatest love stories of all time.
BONNIE: You're an incurable romantic, aren't you?
ENZO: When it comes to you, love, I would never stop fighting. I would brave the oceans and sail past the Sirens to find my way back to you.

Present - Flashback Voiceover

ENZO: "Meanwhile, I took a large round of wax, cut it up small with my sharp sword, I took all my men in turn and plugged their ears with it."
ENZO: "Then they bound me hand and foot, standing me up by the step of the ship's mast and then lashing me to the mast itself."

Art Show/Abandoned SlaughterhouseEdit

DAMON: I am a fan of the homegrown art community. You know, the wine is dreadful, but the people are nice. You know, I couldn't help but notice in your work that you express a certain... inner struggle. Darkness and light. A burdened brain, if you will. You really enjoy exploring themes of sin and redemption.
Artist: Hmm. You're very astute. Not many people in these parts get it.
DAMON: True. But you should know that there is no such thing as redemption, because it only takes one bad day, one bad decision, and then it doesn't matter what you do with the rest of your life, because once the devil comes a-calling... (clicks tongue)'re done. Amazing use of red, by the way.
ENZO: Not every victim needs a monologue.
DAMON: Well, we don't know that he's our guy yet. It might be a misunderstanding. See, here's the thing. My friend here and I have a particularly innate sense of smell, not to mention an immense appreciation for blood, and we just couldn't help but notice that the red that you use, very liberally, I might add... Maybe a bit too on the nose... Has a very familiar scent. (inhales sharply) Care to explain to my friend and I why you are indeed painting with human blood? And more importantly, what the hell did you do to the person you got it from? Go ahead. Whisper in his ear.
ENZO: What is it with Middle America and evil? Stay with us. Don't say anything.
DAMON: Enzo. Little surprised by our family visit tonight, I thought you said we were covering our tracks.
ENZO: We are.
DAMON: Well, then how the hell did they find us?
ENZO: Beats me, mate. You saw for yourself, it wants me in line, I'm in line.
DAMON: It can get in your head. And if it knows who you care about, or who you're trying to get back to, well, you know what can happen. You may want to consider flipping your switch, because if you care for nothing, it can see nothing. Come on, boy.

Stefan's HomeEdit

STEFAN (voiceover): Dear Elena, it's not my turn, but I wanted you to hear it from me. I think I've lost him. All I can do is hope that there is one small piece of his mind tucked away someplace safe.

(Enzo and Damon are in a car driving back to the slaughterhouse)

STEFAN: One final sliver of humanity holding on for dear life, buried deep inside.

(Damon's memory of his first encounter of Elena)

ELENA: I know, Bonnie. You're right. You and my mom both are. I just can't bring myself to tell him. At least not tonight. I'll call you later.
DAMON: Katherine.
ELENA: Um... no. I... I'm Elena.
DAMON: Elena. I need you. I don't know how much longer I can fight.
STEFAN: I won't give up on him. But it's hard to hold on to hope. Hope hurts. Maybe tomorrow will be better.
CAROLINE: Bad day? (exhales)
CAROLINE: So, I've been thinking. You alone in this big house. I wonder if maybe, you'd like someone else to fill it. That someone would be me, by the way. (chuckles softly) Living here. With you. I mean, uh, I'm not trying to rush us, but if there's a part of you that might want that...

Bonnie's Safe House & Caroline's HomeEdit

BONNIE: He left me all these clues pointing to an old story about the Sirens. You have a few more degrees than I do. What do you know about them?
ALARIC: There are different origin stories. Uh, Greek, Pagan mythologies. I mean, all the legends are based in the same idea. Sirens use mind control to lure their victims to their death. Some say they're messengers of the devil.
BONNIE: Something has control over him. Do you think Sirens could be real?
ALARIC: To be honest, Bonnie, I... I don't know what to think anymore. I suppose every story has to start somewhere.

(Back at the Slaughterhouse)

BONNIE: "They bewitch everybody who approaches them. There is no homecoming for the man who draws near them unawares with their high clear song, the Sirens bewitch him as they sit there in a meadow piled high with the moldering skeletons of men whose withered skin still hangs upon their bones."
ALARIC: How very poetic.
BONNIE: Not just poetic, it's real. The bodies I saw., the clues Enzo left. He wants us to know who the enemy is. He wants us to help them fight it.

Abandoned SlaughterhouseEdit

DAMON: What is that? (female vocalizing continues)
ENZO: If I had to guess, I'd say it was singing.
DAMON: Well, I guess she finally had enough to eat.


See MoreEdit

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This transcript outlines dialogue of a copyrighted television program. As such, falls under the same copyright laws as the program it is taken from. It is believed that the use of such copyrighted material, owned by the companies or corporations that produced it, The CW Television Network, will be used under fair use in the United States and fair dealing in the United Kingdom. It should therefore be considered the intellectual property of both corporations. Other third parties may hold intellectual rights over this image as well.
The Vampire Diaries, The Originals, The Originals: The Awakening are all © of The CW and it's parent companies, Warner Brothers and CBS.

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